It also opts for the same 82mm filter threads as used by all of its direct competition. Like all of its nearest E-mount and L-mount rivals, Sigma's 24–70mm F2.8 eschews optical image stabilization in favor of in-body IS. From top to bottom, these include a focus mode switch, a customizable button which defaults to providing autofocus lock, and a zoom lock switch which keeps the lens retracted but releases by itself if you turn the zoom ring. The handsome outward appearance and the feel of the 24–70 are both consistent with Sigma's other Art series offerings.Īs well as the zoom and focus rings, there are three further controls to be found clustered on the left side of the lens barrel. Both the zoom ring and manual focus ring feel smooth with just the right amount of resistance to dampen user input. Sigma sees the Art series as its flagship line, and so build quality is excellent, with a rugged, all-metal construction and comprehensive weather-sealing. Despite being just slightly longer, Sigma specs the E-mount version as being just a touch lighter at 830g (29.0oz) versus 835g (29.5oz) for the L-mount optic. It doesn't feel overly heavy though, and we felt the E-mount variant balanced very nicely with our Sony A7R III body. Its barrel length is 122.9mm (4.8") for the L-mount version or 125mm (4.9") for the E-mount version, and both variants share the same diameter of 88mm (3.5"). On the L-mount, though, there are two direct rivals and one more which is fairly close in its focal range.Īs you might expect given its bright F2.8 maximum aperture, the Sigma 24-70mm F2.8 is a fairly large lens, although some of its rivals are even larger. For E-mount, there's only one direct rival but several other lenses which are at least in the same ballpark. The Sigma 24–70mm F2.8 DG DN Art's rivals differ depending upon whether you're an E-mount or L-mount shooter. Optical construction: 19 elements in 15 groups (3 aspherical, 6 FLD, 2 SLD).Focal length: 24–70mm (36–105mm with APS-C crop).Handling | Autofocus and focus breathing | Compared to. Sharpening and noise reduction at defaults. It also has decent macro capabilities and is quite well-suited to video, making it a versatile all-rounder.Īvailable since December 2019, list pricing is set at $1099.Īll images edited in Adobe Camera Raw 12.2 or its Lightroom Classic equivalent, with adjustments limited to white balance, exposure, highlights, shadows, white and black levels. With its standard zoom range on full-frame and generous maximum aperture, it's well-suited to subjects like portraits, weddings, events, travel and street photography. For the latter it offers full-frame-equivalent focal lengths from 36mm to 105mm, with corresponding impact to the effective aperture. Although for this comparison we're mostly looking at its Sony E-mount competition, there are some intriguing lenses on L-mount that it goes up against as well.ĭesigned specifically for mirrorless, the lens is compatible with either full-frame or APS-C camera bodies. The Sigma 24–70mm F2.8 DG DN Art is a bright, premium zoom lens for photographers on either the Sony E-mount or the L-mount shared by Leica, Panasonic and Sigma camera bodies.
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